29. stray
[Public video, backdated to September 23]
[The video is from the lab. Barbara and Iris can be seen a few feet behind, scrutinizing a monitor; Mal is visible, prone, on an examination chair, looks a little haggard, maybe dozing. The Emperor looks a wreck. A very composed wreck, clothes clean and hair passable, reclining in his own exam chair, but a wreck nonetheless. He has deep shadows under his eyes, his gaze loses focus, trails about, then jitters and darts, his jaw clenching as he tries to get his attention on track. The camera frame actually shakes slightly, hand trembling as he holds it. He flicks his eyes back to Iris and Babs once, as though to confirm they're occupied, but doesn't bother whispering. His voice is raspy, physiologically strained.]
Listen. Listen. There's going -
[A fit of coughing; brief but violent.]
There's going to be a door. Don't go through it. Don't go near it. Don't - don't be arrogant contrarian divas for once in your lives, and take my word for it. All of our -
[He jerks his head to indicate Babs and Iris, a little wildly.]
They did the work. Rigorous. It was falling apart, but now it's not, the other - the hell barge. It ate us. It killed us, and ate us, and put us back together from its - ichor, and the door is the maw. I'm not - mad. I am appropriately mad. I'm unraveling, but I'm right.
[The camera is shaking a little harder now, and Babs comes over, gently pries it from him. He makes a soft wounded noise, looks lost, before she turns the camera away from him and onto herself.]
He is right. Everyone who went through the door, or was seized by it, has displayed similar symptoms each time we approached the other barge, and everyone who let us analyze them shows evidence of the mirror barge itself woven into them. Normally it lies dormant, but right now it is using that connection to drag us back.
You don't want this to happen to you, and you don't want to strengthen that place. The door is usually found on deck, and very obvious. Stay clear.
[Spam for Sylvanas]
[After he's released from the lab - or before? Was he in the lab for something? He can't breathe, and he can't stop breathing. His vision swims and he stumbles, sags against a wall. No, a door. Something about -
- he jolts back to his feet, fear spiking, a jumble of adrenaline and invisible thorns. He wants to run, doesn't, walks with all the dizzy dignity he can manage, mouth dry, glancing behind him. The butcherman - no. He rubs the hem of his shirt between his fingers. There's a scar - belly, not lungs. So the butcher hasn't got him yet. No, it's something else.
He knows where to go. Not why, not what he's running from or whether he's alive or dead - neither seems quite right - but he knows where to go. The door is - the right door, not - wood, not steel, heavy and warm, handcarved, worn smooth but without chemical varnish. He traces the old mechanism of the latch, thinks of Çatalhöyük, the city built before doors. Intermediate history.
He thumps against the wood, whole-bodied, weary. He's safe here.]
[Private to Morgana]
[Raw, urgent, choking the words out before he forgets, scrawling make morgana leave on his arm so he can repeat it, if he has to.]
You're a warden. You can escape, you can - the planet I gave you for Christmas. Go. You should go there, if you can't go home yet. Tell the admiral to send you there. A month. A month should be enough?
[The video is from the lab. Barbara and Iris can be seen a few feet behind, scrutinizing a monitor; Mal is visible, prone, on an examination chair, looks a little haggard, maybe dozing. The Emperor looks a wreck. A very composed wreck, clothes clean and hair passable, reclining in his own exam chair, but a wreck nonetheless. He has deep shadows under his eyes, his gaze loses focus, trails about, then jitters and darts, his jaw clenching as he tries to get his attention on track. The camera frame actually shakes slightly, hand trembling as he holds it. He flicks his eyes back to Iris and Babs once, as though to confirm they're occupied, but doesn't bother whispering. His voice is raspy, physiologically strained.]
Listen. Listen. There's going -
[A fit of coughing; brief but violent.]
There's going to be a door. Don't go through it. Don't go near it. Don't - don't be arrogant contrarian divas for once in your lives, and take my word for it. All of our -
[He jerks his head to indicate Babs and Iris, a little wildly.]
They did the work. Rigorous. It was falling apart, but now it's not, the other - the hell barge. It ate us. It killed us, and ate us, and put us back together from its - ichor, and the door is the maw. I'm not - mad. I am appropriately mad. I'm unraveling, but I'm right.
[The camera is shaking a little harder now, and Babs comes over, gently pries it from him. He makes a soft wounded noise, looks lost, before she turns the camera away from him and onto herself.]
He is right. Everyone who went through the door, or was seized by it, has displayed similar symptoms each time we approached the other barge, and everyone who let us analyze them shows evidence of the mirror barge itself woven into them. Normally it lies dormant, but right now it is using that connection to drag us back.
You don't want this to happen to you, and you don't want to strengthen that place. The door is usually found on deck, and very obvious. Stay clear.
[Spam for Sylvanas]
[After he's released from the lab - or before? Was he in the lab for something? He can't breathe, and he can't stop breathing. His vision swims and he stumbles, sags against a wall. No, a door. Something about -
- he jolts back to his feet, fear spiking, a jumble of adrenaline and invisible thorns. He wants to run, doesn't, walks with all the dizzy dignity he can manage, mouth dry, glancing behind him. The butcherman - no. He rubs the hem of his shirt between his fingers. There's a scar - belly, not lungs. So the butcher hasn't got him yet. No, it's something else.
He knows where to go. Not why, not what he's running from or whether he's alive or dead - neither seems quite right - but he knows where to go. The door is - the right door, not - wood, not steel, heavy and warm, handcarved, worn smooth but without chemical varnish. He traces the old mechanism of the latch, thinks of Çatalhöyük, the city built before doors. Intermediate history.
He thumps against the wood, whole-bodied, weary. He's safe here.]
[Private to Morgana]
[Raw, urgent, choking the words out before he forgets, scrawling make morgana leave on his arm so he can repeat it, if he has to.]
You're a warden. You can escape, you can - the planet I gave you for Christmas. Go. You should go there, if you can't go home yet. Tell the admiral to send you there. A month. A month should be enough?

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Get it out. [He doesn't fully understand what's happening because he keeps seeing flashes of something else, somewhere else, but he hears enough to understand what's happening to him, and he wants to be sick.
His hands are shaking as he holds the communicator, because if the serum makes good men great, and bad men worse, what the fuck does it make him? What the fuck does this make him, if he got eaten and put back together wrong, again?]
I don't fucking want this, I didn't fucking want this, get it out of me.
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And this is the land of the dead.
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/Irisjack
=> spam
[spam]
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Private, sorry, and cw for destruction by fire
You know it's worth a try.
Private
Maybe. I can ask if anyone's willing.
private never be sorry
No. That's not - you've seen the rot, this ship can't purge us, it's tainted too.
Not cremation. Burial at sea. The hook is in the bait, so spit it out.
And it has to be all of us. You hunt, I'd forget.
[A little wild-eyed, but fierce, focused.]
We go overboard.
[He struggles to his feet, almost falls, lurches toward Mal's chair.]
private
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Re: private
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Maybe I'm better off being dead.
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Life means hope. You're going to get better, Bucky. You're going to be fine.
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voice;
voice;
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But one of them seemed to be an increased traffic to her room. The thump gets her attention, and she knows it's not Vergil. He's keyed to her room, for one thing. He could just come in. (She highly doubts he would without knocking, still.) For another, she doesn't smell those telltale scents that proceed him, cologne and polish. It's not Zane, either, or Arthas. And for once in a long, long time, she's not so surly and anti-social to just call out to see if it was anyone worth bothering with. She gets up, and goes to answer the door, albeit with a sword in her hand.
When she lifts the latch, the door swings open, heavier than it should, because there's weight against it. She makes a split second decision, and reaches out to catch whatever -whoever was falling into her room.]
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swoonsstumbles into her arms, it's mostly gentle. She's so cold, and he wonders if he's feverish, but - no, Sylvanas, it's her, that's why he's here. All the tension drains out of him in a soft sigh.]Sylvanas. You caught me.
[Not surprised. A little smug, if anything. He knew she would. He didn't know he knew but he knew.]
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What are you doing here?
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I don't know. I don't - everything's wrong. I can't think, everything's in pieces, I didn't know -
I trust you.
[This is the only thing he's sure of.]
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Well I don't trust you [anymore.]. You're sick, who let you wander around in this condition?
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[Private]
[She speaks, and pauses so long that she's not sure what she's arguing. She replays the message, and shakes her head, swallowing hard. It doesn't help: her throat feels raw, and every brush of saliva, of air, is a dagger.]
Won't leave. You, and Zane, and...
[She rubs her forehead. There are others, and she can't remember. She coughs.]
I'm not scared anymore, Aslan.
[She's too exhausted for it.]
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He won't.
I won't.
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It can't get you too. It can't. It can't.
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[She wasn't completely honest. She's still a little scared.]
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[not here]
Maybe he is one of the few: this does not scare him, does not freeze his blood and paralyze his bones. Certainly, things could be worse: certainly, he could be miserably ill, incapable of curing himself. Certainly.
But he does wonder how the Barge devours them. How it recreates. He wonders if, going in aware, he could remain aware long enough.
And why not power the other ship? Last he was there, he liked it better. This time, mayhaps he'll take a side trip.]